Bringing Back the Summer of Love and Saving CD's
I wrote this post awhile ago in my notebook while at work but never got around to typing it up. It was supposed to be a follow up to my "The Demise of the CD" posts, however, I am going to add a little twist to it while keeping the original post intact.Lately there has been a lot of talk about the fortieth anniversary of the Summer of Love. A time of great music and a revolutionary style in the way people lived their lives. So many bands and artists encompassed this Summer of Love attitude, and obviously that time of psychedelic music has passed us by, and few bands have been able to capture that style and attitude. One band however, has done so without projecting an image of being artificial or overly pretentious. This band being The Flaming Lips, their concerts are like a giant orgy of sights and sounds which looks like an LSD trip minus the LSD. Their music is spacey and psychedelic, and as I stated before, something which sounds completely natural.
In keeping with that psychedelic sound, the band has released a few of their albums in DVD-A format which reproduces the sound in 5.1 surround which means that individual sounds can be isolated to a total of 6 speakers. We all know how often the sound of stereo could be abused by bands, for example, early Beatles material was poorly done on stereo with isolating vocals to one speaker which is quite irritating, especially when listening on headphones. Now if stereo, just two speakers, can be abused, imagine how bad six speakers could end up. Most DVD-A's and SACD's use the 6 speakers rather discretely, which shows that bands either aren't adventurous enough or are to cautious to make a bold step towards really utilizing the 5.1 sound. The Flaming Lips, unlike many bands, use the 5.1 sound remarkably well, they take an aggressive step towards giving a three dimensional sound field by tossing noises on different speakers and even trying to create the illusion of sounds swirling around your head.
Now moving back towards relating it to my "The Demise of the CD" posts, I mentioned how CD's aren't really offering enough bang for the buck, people are looking for more, and while I think DVD-A's and SACD's could really help the sales of CD's, they aren't the answer, mainly because of their lack of compatibility. Very few people own players that can play them, and they become extremely incompatible when you want to listen to them in the car. The Lips solve the compatibility issue fairly well. The DVD-A's I mentioned which the Lips released come both with the DVD and a normal stereo CD for the price of just a regular CD. The DVD doesn't even just offer the 5.1 audio but a ton of video extras as well, for example the making of the 5.1 audio, music videos, and the making of those music videos. Now if that isn't a great offer than I don't know what is.
Even the booklet which comes with the album is phenomenal, it goes into detail of what is going on in each song in terms of the 5.1 action. For example in the song "Fight Test" they say:
The drum kit moves clockwise around the listener. The lead vocals and the chorus vocals can both be heard at the same time...lead in the front speakers, chorus in the back presenting a two-dimensional story...the external story in the front speakers and internal thoughts emanating from the back.The sound is done so well, it doesn't go completely out there with the surround where the music is lost and unlisteneable, they took it far enough so the music retains its magic and the surround work is noticeable and effective. I was jumping around continuously turning up the volume, and sticking my ears into each speaker to make sure my mind wasn't playing tricks on me. This is what the Summer of Love was all about, pushing boundaries and pushing the limits on what music could sound like as well as the way we listen to it. It's like tripping on advanced technology (I'm pretty sure that is the geekiest thing I have ever said.)
For the cost of just ONE CD you get all of this... Talk about inventive to actually get out and purchase a CD.


7 Comments:
hola no te entendi nada pero estoy aburida un besito DORIS a mistikka-8@hotmail.com//https:superlogico-rey.blogspot.com
Nah, not the geekiest thing you've said. Terrific post! I think the reason the Beatles had such trouble versus today is a simple case of analog vs. digital recording methods. Can you imagine what The Beatles could've come up with using today's tech? Holy shit.
Ray - What I wouldn't give for The Beatles to be around today...
Jeff - Wow, that sounds so cool. Afraid I'm stuck with headphones and two speakers. :( *sniffle*
Peace,
- Neo
The geekiest thing you've ever said? Now that's tough competition!
I fear The Beatles today wouldn't be the dream you and I imagine ... I fear corporate pressures would tarnish it all.
-- david
That 5.1 sounds amazing, but I can imagine that most bands either over or under do it as you said.
Ray, I don't think digital recording is the big difference between the old Beatles recordings and today. With the exception of Abbey Road, all of those Beatles albums were recorded on 4 tracks. Plus, stereo was a brand new thing and producers, even the venerable George Martin, hadn't quite mastered it. I think there is a distance difference between recordings from the early 60s versus the late 60s/early 70s. In a lot of ways, digital methods strip the warmth out of a lot of recordings and that's why you still see bands making analog recordings. It's juts more organic sounding. Digital has it's place, but I doubt it will ever completely replace analog methods.
Neo - Nothing wrong with the headphones. I quite often perfer to listen to music that way anyway.
David - That would be very interesting to see regarding The Beatles. I sort of think early on they would have been pushed by the corporate pressure but once they have established themselves as being arguably the most popular artists of all time they would develop freedom.
Bob - Good point about the digital recordings. Despite popular belief that the digital CD has supperior sound quality to the analog vinyl it isn't the case. Digital methods take snippets of the sound wave and doesn't capture the whole thing unlike analog which is basically a true recording.
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